Médio.
Friday, September 28, 2007
Thursday, September 20, 2007
Undressed Art: Why We Draw, de Peter Steinhart
Estou lendo esse, devagar. Um pouco hoje, mais um pouco daqui três dias. Tá na pilha da mesa.
Sacred Games, de Vikram Chandra
916 páginas.
Interessante, vai crescendo, os personagens são possíveis, complexos.
Tem um bandidão, tipo Godfather; tem um policial honesto, se comparado com o resto da polícia de Mumbai; tem uma miss Índia que vira atriz, mas sendo prostituta antes. Tem um pouco de tudo. Mas o personagem central é Mumbai, e as pessoas que fazem a cidade. A gente sente até o cheiro da cidade, e esse não é agradável.
Sunday, September 9, 2007
Friday, September 7, 2007
Booker Prize Short List
The judges of the Man Booker Prize for Fiction 2007 have announced this year’s six shortlisted novels.
The six titles shortlisted are:
- Darkmans by Nicola Barker (Fourth Estate)
- The Gathering by Anne Enright (Jonathan Cape)
- The Reluctant Fundamentalist by Mohsin Hamid (Hamish Hamilton)
- Mister Pip by Lloyd Jones (John Murray)
- On Chesil Beach by Ian McEwan (Jonathan Cape)
- Animal’s People by Indra Sinha (Simon & Schuster)
Saturday, September 1, 2007
Oliver Sacks
Oliver Sacks Joins Columbia Faculty as ‘Artist’
Attracted by his breadth of interests, ranging from schizophrenia to music, Columbia University has appointed Oliver Sacks, the neurologist and writer, as its first Columbia artist, a newly created designation.
Beginning next week, Dr. Sacks, who has been a clinical professor of neurology at Albert Einstein College of Medicine in the Bronx for the past 42 years, is leaving to become a professor of clinical neurology and clinical psychiatry at the Columbia University College of Physicians and Surgeons, a post he will occupy in addition to the new artist position.
The new appointment will allow Dr. Sacks, the author of 10 books and a frequent contributor to The New Yorker, to range freely across Columbia’s departments, teaching, giving public lectures, conducting seminars, seeing patients and collaborating with other faculty members. Many of the details of his appointment have yet to be worked out, but among other things, he will be teaching in the university’s creative writing department as well as at the medical school.
“My first year at Columbia is going to be, to some extent, a year of experiment and exploration,” Dr. Sacks said. “I very much look forward to meeting students and faculty and doing classes that could be about almost anything, from music to psychiatry to whatever.”
Dr. Sacks, 74, was born in London and moved to the United States in the early 1960s. He is perhaps best known as the author of “Awakenings,” which chronicles his treatment of patients with encephalitic lethargica (otherwise known as sleeping sickness) and was made into a 1990 movie starring Robert De Niro and Robin Williams.
Another well-known book is “The Man Who Mistook His Wife for a Hat,” a 1985 collection of essays about various patients with neurological problems. There are more than one million copies of all his books in print in the United States, and his work has been translated into more than 20 languages. His latest book, “Musicophilia: Tales of Music and the Brain,” is being published by Alfred A. Knopf in October.
Lee C. Bollinger, president of Columbia, said Dr. Sacks’s appointment exemplified the university’s effort to bridge the gap between the study of neuroscience and other disciplines in which scholars work to understand human behavior, including economics, law and art history.
Dr. Sacks’s appointment is “a commitment both to having one of the great clinical neuroscientists in our midst and one of the great writers about this subject, but also a commitment to try to take that and reach out to other fields and human activities,” Mr. Bollinger said.
The university has committed $20 million to expanding the study of neuroscience to include an interdisciplinary approach, and last year it received a donation worth more than $200 million from Dawn M. Greene and the Jerome L. Greene Foundation to build a new center to house the university’s Mind, Brain and Behavior Initiative, which will help apply neuroscience to multiple areas of scholarship.
For his part, Dr. Sacks said he was looking forward to returning to the classroom. At Albert Einstein, he said, he had not taught formally since 1973. “I’ve actually missed it,” he said. He added: “In a way, for me, this is a real entrance into university life such as I’ve never had, rather than a part-time medical appointment. I’m excited, because, in a way, I’ve been a sort of an outsider or freelancer or maverick for the last 40 years, and here I think it will be quite an intense sort of full relationship with Columbia.”
Dr. Sacks said that although he was looking forward to exploring disciplines outside medicine, his clinical work would remain a focus, not least because it inspires so much of his writing.
“The medical part of my life is very, very central,” he said, recalling that his father, also a physician, kept coming out of retirement to go back to work. “When he was 90, we said, ‘Pop, at least stop the house calls,’ and he said, ‘I’ll stop everything else but keep the house calls.’ I want to see patients as long as I am able.”
The appointment grew out of conversations that Dr. Sacks had with several people, including Eric Kandel, a Nobel laureate in medicine and a professor at Columbia, and Gregory Mosher, director of the Arts Initiative at Columbia, which aims to incorporate an interdisciplinary approach to the arts into the undergraduate experience. Dr. Sacks, Mr. Mosher said, is an exemplar of the “Hey, kids, you can do more than one thing at a time” message.
Dr. Sacks’s appointment at the medical school is being financed by a $1 million donation made over five years by the Gatsby Charitable Foundation, one of several foundations financed by the Sainsbury family of Britain, which owns a grocery chain.
On Friday Dr. Sacks will give his first lecture, at Columbia’s psychiatry department, where he will talk about music and neuroscience. He said the move to Columbia capped a gradual transition he has been making over the past decade.
“I used to be more withdrawn or isolated,” he said. “Now I love meeting colleagues and finding out what other people are doing.”
Monday, August 27, 2007
Lista do Guardian
If you haven't read these by Christmas ...
Sunday August 26, 2007
Jonathan Cape £16.99, 6 OctoberGuardian Unlimited © Guardian News and Media Limited 2007
From Fidel Castro to Germaine Greer, Philip Roth to Alice Sebold, The Observer's literary team pick this autumn's top 10 must-reads
Robert McCrum, Alex Clark and Emily StokesSunday August 26, 2007
Observer
Philip Roth, Exit GhostJonathan Cape £16.99, 6 October
The haunting title, a stage direction from Hamlet, seems to say it all. Philip Roth's first Nathan Zuckerman novel, The Ghost Writer, was published in 1979; now, almost three decades later and after a series that has encompassed such breathtaking works as American Pastoral and The Human Stain, Roth's alter ego makes what sounds very much like his final appearance. This time, Zuckerman returns to New York after 10 years' seclusion on an isolated mountainside and, almost immediately, finds himself sucked into the worldliness from which he has been in flight. Revolving around encounters with a beautiful but fading woman, once the muse of Roth's mentor, the now dead EI Lonoff, a young couple keen to escape post-9/11 Manhattan and a rapacious literary biographer, Exit Ghost conjures a man raging against the dying of the light, in a characteristically Rothian meditation on the nature of artistic endeavour, creative rivalry, inspiration and, naturally, the imminence of the end.
We say
'For a decade now, we have lived with the glory of late Philip Roth. To punctuate his last four indelible novels of America and their discontents at the turn of the century, Roth has developed a periodic habit of making a sharp inward turn, an unblinking memento mori, as if to stir in himself the urgency for another major assault on his times.' - The Observer
Meg Rosoff, What I Was
Puffin £10.99, 30 August
By the author of How I Live Now, which won the Guardian Children's Fiction Prize in 2004, and Just in Case, which won the Carnegie Medal in 2007, What I Was is a tale for both young teenagers and adults with a plot that is at once thrilling and sensitively told. The young protagonist, a self-conscious and awkward troublemaker, is running cross-country on the cliffs of East Anglia when he discovers Finn, who lives in a solitary hut by the sea, as if having fallen 'through a small tear in the universe'. Told by a man who is 'a century old' and set in a nostalgic childhood world that is, like the coastline, crumbling away, this is a memorable rites-of-passage novella about the intensity of first love.
They say
'She could persuade me to believe almost anything.' - Mark Haddon on How I Live Now
Robert Harris, The Ghost
Hutchinson £18.99, 4 October
Robert Harris, formerly political editor of this newspaper, burst into popular consciousness with his bestselling thriller Fatherland in 1992. More recently, he has devoted his energies to historical fiction set in the ancient world (Pompeii, Imperium), exploring the glories of Rome as a metaphor for the pax Americana. In The Ghost, he reportedly returns to his thriller-writing and political commentating roots in a tale of the literary skulduggery surrounding the memoirs of a recently retired British Prime Minister. Set in the out-of-season paradise of Martha's Vineyard, it describes how ex-PM Adam Lang attempts to explain his career to his ghost writer and set the record straight. Harris is adamant that the similarities with Tony Blair are matched by the dissimilarities, but there's no doubt that this thriller, published to coincide with the Labour party conference, will be read as a roman a clef of New Labour's end-of-term travails. Written at top speed for the autumn season, copies have yet to be released for review, but Harris has form as a master of political narrative and it's safe to predict this will be a must-read for the political class this autumn.
He says
'I take the Arnold Bennett view. Every time he finished a novel, he bought a yacht, which meant he had to write another novel.'
Fidel Castro, My Life
Edited by Ignacio Ramonet
Allen Lane £25, 4 October
Gabriel Garcia Marquez has told readers that his friend Fidel is a 'fantastic reader' and that, on Marquez's recommendation, he had read Dracula one night rather than important state documents. But, save these literary revelations, for years the closest many readers have come to learning about the personal life of Fidel Castro is through news stories of his fading health. But now Ignacio Ramonet, well-known activist and editor of Le Monde diplomatique, presents us with a series of probing interviews in which the elusive leader describes his life from the 1950s to the present day. He reportedly discusses his parents, his earliest influences and his friendship with Che Guevara, as well as recounting his interpretations of political events, such as the beginning of the revolution, the Bay of Pigs, the Carter years and Cuban migration to the US.
He says
'I began a revolution with 82 men. If I had to do it again, I'd do it with 10 or 15 of absolute faith. It does not matter how small you are if you have faith or a plan of action.'
Jonathan Coe, The Rain Before It Falls
Viking £17.99, 6 September
Jonathan Coe has surprised readers with his eighth novel by abandoning the satirical style of works such as What a Carve Up!, Bollinger winner The Rotters' Club and its sequel The Closed Circle. Whereas the social and political settings of these novels were painted with stylised flair - the Thatcherite Britain of What a Carve Up! or the Seventies Birmingham of The Rotters' Club - Coe's new novel is about time itself, stretching over 65 years and three generations, and split between the present and the past.
The tragic narrative of mothers and daughters is spoken by elderly Rosamund as she sits in her Shropshire home and records her voice on to four cassette tapes for Imogen, a blind girl.
It is divided not into chapters, but into photographs, which are described with such vivid nostalgia as to blur real history and personal fiction, the physical and the conjectured. This is not only Coe's answer to the criticism that his previous novels have lacked visual images; it is a deeply metaphorical novel told with a purposely self-conscious pace, about the power of description to illuminate the past and about the ghostly effect of other people's imagination and memory on our own sense of self. The Rain Before It Falls revolves with the sometimes overly heavy momentum of the tragic, but narrates childhood episodes with such truth that they might be remembered as one's own.
They say
'With his hyper-lucid prose and eye for the whimsical, the absurd and the quintessentially human, Jonathan Coe is Britain's best contemporary fictional chronicler' - Will Self
Naomi Klein, The Shock Doctrine: The Rise Of Capitalism
Allen Lane £25, 20 September
In this landmark history of the past three decades, the award-winning journalist, theorist, film-maker and author of No Logo attempts to explode the myth that the global free market triumphed democratically. Based on new historical research and four years of reporting in disaster zones, the book's premise is simple: America's 'free market' policies dominate the world through the exploitation of people and countries which have been 'disaster-shocked' - disorientated by wars, terrorist attacks or natural disasters. Klein gives a freshness to examples that feel familiar - US oil companies in Iraq, tourist resorts in tsunami-destroyed beaches, privatisation after hurricane Katrina - by placing them in a wider context that includes Pinochet's coup in Chile in 1973 and the Falklands conflict in 1982.
They say
'Impassioned, hugely informative, wonderfully controversial and scary as hell' - John le Carre
Germaine Greer, Shakespeare's Wife
Bloomsbury £20, 3 September
The tone of this literary-historical study, marketed as 'Germaine Greer's most contentious work since The Female Eunuch', is argumentative from the start, as Greer collates what she sees as the unfairly prejudiced attitudes towards Anne Hathaway presented by (male) literary historians from Theobald in 1752 to Stephen Greenblatt in 2004.The 'Shakespeare wallahs' have, writes Greer, created a Bard 'in their own image, that is to say, incapable of relating to women'.
A readable and likably humane book, which straddles scholarly research and imagination with some shaky but often entertaining results.
We say
'Greer is ... worth reading as much for her deliberately contentious and wrong-headed arguments as when she is right, and probably more enjoyable' - The Observer
Zadie Smith (editor), The Book Of Other People
Hamish Hamilton £16.99, 1 November
Anthologies of new fiction brought together under the editorship of a practising novelist can often suffer from diverse voices being yoked to one another under the aegis of an ill-defined or constricting manifesto. Zadie Smith makes it clear that this is the last thing she wanted; although she asked her charges to write a story named for, and based on, one fictional character, her aim was not to impose any other rules. The likes of David Mitchell, Nick Hornby, AM Homes and Aleksandr Hemon duly complied. Also here is Smith's regular artistic sidekick Dave Eggers, whose creative-writing charity 826NYC is the book's beneficiary.
She says
'The [aim was] a lively demonstration of the fact that there are as many ways to create "character" (or deny the possibility of "character") as there are writers.'
Alice Sebold, The Almost Moon
Picador £16.99, 16 October
Alice Sebold, the bestselling American author of Amazon cult title The Lovely Bones, knows how to hook her readers into her fevered, imaginative world. 'When all is said and done,' The Almost Moon begins, 'killing my mother came easily.' In the course of the next 24 hours, both reader and protagonist will discover that killing never comes 'easily', as Sebold subjects her audience to a macabre descent into hell. Transgression is Sebold's default setting, derived perhaps from her rape at the age of 18. The Almost Moon narrates the life of an averagely sensual woman who crosses the line of suburban normality into scarcely imaginable horror. A highly commercial new fiction, this will be welcomed by admirers of Sebold's dirty realism, quasi-poetic style and helter-skelter storytelling gifts. Amazingly, she manages to make her gothic tale as moving as it is unquestionably gripping.
She says
'I've always been weird, but I'm very happy with my weirdness.'
Charlie Higson, Hurricane Gold
Puffin £12.99, 6 September
The fourth in Higson's Young Bond series, this latest instalment promises to give 007 enthusiasts in short trousers all the thrills and suspense of previous adventures (Silverfin, Blood Fever and Double or Die). After a nervous start, Higson has got into his stride with this series and Hurricane Gold will supply more action, more demented crime and more flesh-crawling deaths than ever before. Set far from Bond's alma mater (Eton) on the island of Lagrimas Negras, a safe haven for the most deviant crims, Bond finds himself negotiating his way past a sequence of deadly obstacles. It succeeds, though Fleming would probably raise an eyebrow at its length.
We say
'Charlie Higson's task is unenviable, but he's well equipped. Bond was his specialist subject on Celebrity Mastermind.' - The Observer
Best of the rest
1. Alan Bennett, The Uncommon Reader
(Profile £10.99) 6 Sept
The charming tale of a librarian who awakens in Her Majesty such a great passion for reading that her public duties begin to suffer.
2. Peter Ackroyd, Thames: Sacred River
(Chatto & Windus £25) 6 Sept
History of the river from source to sea, covering the literature, architecture, trade and mythology that it has borne.
3. David Thewlis, The Late Hector Kipling
(Picador £16.99) 7 Sept
Satirical first novel by stage actor-turned-promising writer, about competitive London artist Hector Kipling, whose life begins to unravel into chaos.
4. Caryl Phillips, Foreigners
(Harvill Secker £16.99) 13 Sept
A brilliant hybrid of reportage, fiction and fact that tells the stories of three black men whose tragic lives speak of the place and role of the outsider in English society.
5. Michael Ondaatje, Divisadero
(Bloomsbury £17.99) 17 Sept
An intimate novel about love, loss, memory and family stretches across time and generations from northern California to rural France.
6. Peter Conrad, Creation: Artists, Gods and Origins
(Thames & Hudson £24.95) 17 Sept
The Observer critic takes us on a dazzling exploration of the origins of creativity and the imagination.
7. Jeanette Winterson, The Stone Gods
(Hamish Hamilton £16.99) 27 Sept
Polemical 'interplanetary' love story in which humans and robots plan to inhabit a fresh, new planet, having destroyed their own.
8. Joanna Bourke, Rape: A History from 1860 to the Present
(Virago £25) 4 Oct
Professor Bourke analyses what drives the perpetrators of sexual violence.
9. John Richardson, A Life of Picasso: Volume III: The Triumphant Years, 1917-32
(Jonathan Cape £30) 1 Nov
Penultimate volume in this Whitbread Prize-winning series by art historian Richardson.
10. Peter Gay, Modernism: The Lure of Heresy
(Heinemann £20) 1 Nov
A survey of the movement that extended from Baudelaire to Beckett - and beyond.
A Instrução dos Amantes
Inês Pedrosa, escritora portuguesa, nascida em 62. Indicação do
Arthur. Bom, cada frase é importante, vou ter que ler de novo daqui alguns anos. Tenho a impressão de ter "pulado" algumas coisas.
Tuesday, August 21, 2007
About Alice
Acabei "About Alice", de Calvin Trillin. Legal.
Mas já tinha lido a maior parte na New Yorker.
Saturday, August 18, 2007
On Chesil Beach
Acabei On Chesil Beach (Ian McEwan). Bom. Muito bom. Mas acho que gostei mais de Saturday.
Thursday, August 16, 2007
Tuesday, August 14, 2007
Agualusa
Li esse,
de José Eduardo Agualusa, escritor angolano. Muito bom, interessantíssimo, uma viagem pelo sul da África, Angola, África do Sul e Moçambique. Personagens ricos, alguns estranhos, bem realistas.
A Norma que me deu.
de José Eduardo Agualusa, escritor angolano. Muito bom, interessantíssimo, uma viagem pelo sul da África, Angola, África do Sul e Moçambique. Personagens ricos, alguns estranhos, bem realistas.
A Norma que me deu.
Teacher Man
Acabei de ler esse:
É bom. Não é ótimo.
Nunca achei ele a maravilha que os críticos acham (mas quem sou eu!?!!?).
É bom. Não é ótimo.
Nunca achei ele a maravilha que os críticos acham (mas quem sou eu!?!!?).
Monday, June 18, 2007
Salman Rushie, um bom escritor
From
June 19, 2007
Muslim world inflamed by Rushdie knighthood
Sir Salman Rushdie celebrates his 60th birthday today in familiar circumstances: he is once again the subject of death threats across the Islamic world.
Eighteen years after the Ayatollah Khomeini issued a fatwa calling on Muslims to kill him, a government minister in Pakistan said yesterday that Rushdie’s recent knighthood justified suicide bombing.
The question of blasphemy in The Satanic Verses, Rushdie’s 1988 tale of a prophet misled by the devil, remains a deeply sensitive issue in much of the Muslim world and the author’s inclusion in the Queen’s Birthday Honours last week has inflamed anti-British sentiment.
Gerald Butt, editor of the authoritative Middle East Economic Survey, told The Times: “It will be interpreted as an action calculated to goad Muslims at a time when the atmosphere is already very tense and Britain’s standing in the region is very low because of its involvement in Iraq and its lack of action in tackling the Palestine issue.”
Hardliners in Iran revived calls for his murder yesterday. Mehdi Kuchakzadeh, a Tehran MP, declared: “Rushdie died the moment the late Imam [Ayatollah Khomeini] issued the fatwa.”
The Organisation to Commemorate Martyrs of the Muslim World, a fringe hardline group, offered a reward of $150,000 (£75,000) to any successful assassin.
Forouz Rajaefar, the group’s secretary general, said: “The British and the supporters of the anti-Islam Salman Rushdie could rest assured that the writer’s nightmare will not end until the moment of his death and we will bestow kisses on the hands of whomsoever is able to execute this apostate.”
Effigies of Rushdie and the Queen were burnt in Pakistan, where presidential elections at the end of the year have destablised an already volatile political climate. Hundreds of protesters in Multan, Karachi and Lahore set fire to British flags and chanted “Death to Britain, death to Rushdie” and Islamist leaders called for nationwide protests after Friday prayers.
Ijaz-ul-Haq, the Religious Affairs Minister, told the assembly in Islamabad that the award of the knighthood excused suicide bombing. “If somebody has to attack by strapping bombs to his body to protect the honour of the Prophet then it is justified,” he said.
He later retracted his statement, explaining that he had intended to say that knighting Rushdie will foster extremism. “If someone blows himself up, he will consider himself justified. How can we fight terrorism when those who commit blasphemy are rewarded by the West? We demand an apology by the British government. Their action has hurt the sentiments of 1.5 billion Muslims."
Pakistan’s national assembly earlier unanimously passed a resolution condemning Rushdie’s knighthood, which it said would encourage “contempt” for the Prophet Muhammad.
Rushdie was forced to go into hiding for almost a decade after the Ayatollah Khomeini issued the death sentence over The Satanic Verses.
On Valentine’s Day in 1989 the spiritual figurehead of the Iranian revolution pronounced on Teheran radio that: “The author of The Satanic Verses, which is against Islam, the Prophet, the Koran, and all those involved in its publication who were aware of its content, are sentenced to death.”
In Britain, the subsequent hate campaign helped to politicise and radicalise a generation of young British Muslims. The taxpayer is believed to have spent more than £10 million protecting Rushdie.
Only Khomeini had the power officially to lift the fatwa and he died without doing so, but in 1998, the Iranian Foreign Minister promised his British counterpart, Robin Cook, that Iran would not implement it.
Gradually, Rushdie emerged back into the literary spotlight and in recent years has appeared at events in London and New York, where he now lives.
It is understood that when he is in this country, Rushdie continues to receive round-the-clock police protection.
Muhammad Ali Hosseini, Iran’s foreign affairs spokesman, said on Sunday that the knighthood “will definitely put the British officials in confrontation with Islamic societies. This act shows that insulting Islamic sacred values is not accidental. It is planned, organised, guided and supported by some Western countries.”
O maior (em $) prêmio literário do mundo
Biggest literary prize goes to little-known Norwegian
Michelle Pauli
Thursday June 14, 2007
Guardian Unlimited
A writer little known beyond Norway has beaten many of the biggest international names to the world's richest book prize. Per Petterson's Out Stealing Horses takes the 100,000-euro purse for the Impac Dublin award for what the judges called "a poignant and moving tale of a changing perspective on the world ... and of nostalgia for a simpler way of life."The melancholy tale, translated by Anne Born, follows a 67-year-old man who is forced to remember the traumatic events of his childhood. His life was changed forever in the summer of 1948, when he was only 15. Through his memories the novel brings that distant summer to life and explores how the recovered past disturbs the present.
Petterson said that he was happy and surprised to have won the Impac. "It seems with this book I am the boy with the golden trousers and every time I put my hand in my pockets I pick up a golden coin," he said. "It is so cool."
Anne Born's English translation was published in November 2005 to great critical acclaim, and the author and translator won the £10,000 Independent foreign fiction prize with the book last year. However, the book has yet to reach the wider audience enjoyed by the bestselling original in Petterson's home country, where it also won the booksellers' award.
Nonetheless, it beat a shortlist of big-hitters to the Impac, fending off competition from the South African Nobel laureate JM Coetzee with Slow Man, Salman Rushdie's Shalimar the Clown, Cormac McCarthy's No Country for Old Men, Julian Barnes's Arthur and George and Jonathan Safran Foer's Extremely Loud and Incredibly Close.
According to the Lebanese novelist and judge Hanan al-Shaykh, the winning novel "had everything".
The Irish poet and judge Gerald Dawe agreed. It "pipped past the post" of the strong shortlist, he said, because it is "a wonderfully subtle book. In the background, shadowing it with an almost ghostly narrative, there is the history of how war impacts on families in very different ways."
While Petterson has namechecked Norway's 1920 Nobel laureate Knut Hamsun as a particular inspiration for the novel, the subtlety of Out Stealing Horses, with its focus on character and relationships rather than plot owes much to the influence of the American writer Raymond Carver. As well as a number of other novels Petterson has also published a collection of short stories.
The Impac stands out from the crowd of literary prizes not just for its purse, its notoriously massive longlist (this year's was 138-srong) and its international scope (nominations for the longlist came from 169 libraries from 129 cities in 49 countries), but also for its long lead-time. Books first published in English between January and December 2005, or first published in a language other than English between January 2001 and December 2005, are eligible for consideration. This means titles that have already done the rounds of literary prizes have a final chance, and books that may have drifted from public consciousness are granted a second wave of publicity.
Thursday, June 14, 2007
Jewish mothers
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